Considering our bibliography as a training set, you can save yourself the cost of our book by just reading all the references.
You can now download 440.5 out of the 676 figures in the fourth edition. Go get them here. (the 0.5 is because there are five figures where we include only half the figure, because the other half was from someone else.)
There are also now links on the home resources page of figures where we took a snapshot from a live demo that runs in a browser. For example, the three listed here are a fun place to start.
We’ll be signing books at the ACM bookstore on Tuesday, August 14, from 12:30 to 1 PM. All six of us should be able to make it, and with any luck there will be books, too (go, printers, go!). Even if not, we have a back-up plan… Oh, and do note it’s the bookstore, which is usually tucked away somewhere and is not on the exhibit hall floor.
Anyway, we hope to see you there!
I finally finished the Sisyphus-like task of putting useful links for RTR4’s references. For this brief moment I think all the links on that page work – enjoy it for the few minutes it lasts (and feel free to send me fixes, though I may blithely ignore these for a bit, as I’m sick to death of this task – no mas!). At the top of the page I note some pleasant tools, such as the Google Scholar search button extension, which saved me a lot of copying and pasting titles.
I’m writing a post mostly because I found this oddity: The classic paper
Torrance, K., and E. Sparrow, “Theory for Off-Specular Reflection from Roughened Surfaces,” Journal of the Optical Society of America, vol. 57, no. 9, pp. 1105-1114, Sept. 1967
is not one Google Scholar knows about in English. It turns up one in Japanese, which was a surprise. Searching on Google as a whole, it turns out Steve Westin still has one squirreled away. Paper archiving is a house of cards, I tells ya.
Next task: work on our main page of resources.
Here’s an update to my previous blog post, on the volatility of web links.
The Twitter post has a bunch of responses, with some useful tidbits in there. Some resources mentioned: HTML5 UP! for free CC templates; gamedev.net has been around for almost 20 years and can act as an archive, gamedevs.org keeps some old presentations around. Go three paragraphs down for some web hosting suggestions. The idea of using the archive.org link as the “real” link is clever (and a bit sad), but assumes archive.org will always be around. Note that publishers such as the ACM allow you to put your published articles up on your homepage, your institution’s website, and on non-commercial repositories. I’m not sure how entities such as ResearchGate (where I’ve seen a number of papers stored) fit into this picture – they appear to be for-profit, e.g., they sell advertising, so I don’t think they fall into any of the ACM’s categories. I appreciate their efforts, but am concerned that papers there may go away because ResearchGate hasn’t been challenged by the ACM or others. Again, long-term durability is a question.
Also see the comments after the original post. My comment on “The sooner these are displaced by open publications like the JCGT, the better” is that, in graphics, there are no other free (to both readers and authors) journals, at least none that I know about. arXiv maybe qualifies. Looking there today, this article seemed like a handy summary, pointing to some resources I hadn’t known of before. But, trying to go to a site they mention in their article, Chrome warns, “Attackers might be trying to steal your information from dgtal.org” – OK, never mind. There might be great stuff at arXiv, but it seems like a firehose (10 articles published in graphics in the last week), without serious peer review. Editorial filtering and peer review is worth a lot. I guess you might be able to use a strategy of putting your preprint at arXiv, sort of like ResearchGate but less questionable (arXiv is run by Cornell). This approach is underutilized within graphics, AFAIK: only 2 papers on our refs page are available this way, vs. 25 for ResearchGate. If someone wants to explain what I’m missing here, great!
Thanks to you all for the followups, and I find my thoughts about the same: corporations come and go, more quickly than we expect. While I have a lot of faith in various institutions, ultimately I think the entity that best looks out for my interests is me. Having my own domain and website is good insurance against the vagaries from change of job status, change of corporate services (or existence), and change of webmaster. Me, I’m a cheapskate: http://erichaines.com is just a subdomain of realtimerendering.com, of which I’m the prime webmaster; we also host a number of other groups as subdomains, such as the Advances in Real-Time Rendering course notes repository and Ke-Sen’s invaluable work tracking conference articles – doing so costs me no time or money, as others maintain them. So another option is to share a domain and host among a bunch of people.
Yes, your own website costs a little money (the price of two cups of Starbucks per month), but admit it: you pay more in a month for your smartphone and internet service provider than the yearly cost for a website. It’s a bit of effort initially to register a domain and set up a website, but once the template and blog are in place, you’re done. Write a new article or slide set, one that took you hours or weeks to create? It’s five minutes to add it to your web page and upload it. Morgan McGuire, Andrew Glassner, and I like bluehost. Sven Bergström likes digitalocean for $5/month hosting, and gives some setup and admin tips. His previous favorite was site5. Sebastien Sylvan likes nearlyfreespeech, which I hadn’t heard of and looks quite cheap for a personal site (like, possibly something like $3.65 a year (plus $12 per Gig stored, or maybe less – the pricing is not clear), with a free Gig download a day), assuming you’re not serving up huge files or don’t get popular; ijprest notes in the comments that Amazon’s S3 hosting is bare bones, just basic hosting, but about as cheap at nearlyfreespeech and is pretty much guaranteed to outlast you.
Oh, and the presentation from 2012 I mentioned in my last post that is no longer available – dead link – is now available again, as Duncan Fewkes sent me a copy and Michal Valient gave me permission to host it. It’s now here – a few minutes work on my part.
Question for the day: if Gmail and Google Docs suddenly went away, would this cause a collapse that would take us back to the 1990’s, 1950’s, or would the loss kick the world all the way back to some time in the 1800’s? Just a thought, you might want to use Google Takeout or other backup method now and then. If nothing else, visiting your Google Takeout site is interesting in that you see the mind-boggling number of databases Google has in your name.
Executive summary: if you write anything or show off any images, you should make a real website, both for yourself and for others.
We’ve been updating the Real-Time Rendering site (take a peek – you might at least enjoy the 4th edition cover). Today I’ve been grinding through updating URLs for the references in the book. Even though the book’s not yet out, you can see what articles we reference and jump to the article from this page.
Most of the articles can be found through using Google or Google Scholar. A few articles are trickier to find, or have a few URLs that are relevant – that’s the value I feel I’m adding by doing this laborious task. The other reason is for helping avoid link rot – I’ll explain that in a minute. Another is virus protection. For example, one blog URL, for the article “Render Color Spaces” by Anders Langlands, has had its domain anderslanglands.com (DON’T GO THERE (REALLY)) taken over by some evil entity in May 2018 and now leads to a page full of nastiness.
In going through our reference page today and adding links, doing so reminds me how tenuous our storage of knowledge is for some resources on the internet. Printed journals at least have a bunch of copies around the world, vs. one point of failure. I’ve noted this before. My point today is this: if you publish anything, go buy yourself a domain and host it somewhere (I like bluehost, as do Morgan McGuire and Andrew Glassner, but there are no doubt cheaper ways). All totaled, this will cost you maybe around $110 a year. Do it, if you care about sharing your work or are at all serious about your career (e.g., lose your job or want another? You now have a website holding your CV or work, ready to show). URLs have a permanence to them, vs. company-specific semi-hosting schemes such as Github or Dropbox, where the rules can and do change. For example, I just found a Github-based blog entry from Feb. 2017 that’s now gone (luckily still on archive.org). With some poking around, I found that the blog entry is in fact still on Github, but appeared to be gone because Github had changed its URL scheme and did not redirect from the old URL to the new one.
Once you have a hosted URL, look at how others arrange their resources, e.g., Morgan McGuire recently moved all his content from the Williams College website to his own personal site. Grab a free template, say from W3 Schools or copy a site you like. Put any articles or presentations or images or whatever that you want people to find on that site. Me, I’m old school; I use basic HTML with a text editor and FileZilla for transfers, end of story. Start a WordPress or other blog, which is then hosted on your site and so won’t die off so easily. Once you have a modest site up, you are now done, your contributions to civilization are available to everyone until you forget to renew your domain or pay for web hosting. Assuming you remember, your content is available until you’re both dead and no one else keeps up with the payments (another good reason to renew for the longest duration). Setting up your own website isn’t some ego-stroking thing on your part – some of the rest of us want continued access to the content you’ve provided, so please do keep it available. If your goal in writing is to help the graphics community, then allow your work to live as long as possible. “But my blog posts and whatnot have a short freshness ‘read by’ date,” you complain. Let us decide that; as someone who maintains the Graphics Gems repository, a collection of articles from 1990-1995, I know people are still using this code and the related articles, as they report bugs and errata to me. “I have tenure, and my school’s been around for 200 years.” So when you retire, they’re going to keep your site going?
Most of us don’t grab a URL and host it, which is a pity for all concerned. Most of the links I fixed today rotted for one of three reasons: the site itself died (e.g., the company disappeared; I now can’t find this talk from 2012 anywhere, and at least 14 other sites link to it), the subdirectory on the site was deleted (e.g., for a student or faculty member no longer at the institution), or the URLs were reorganized and no redirection was put in place (and if you’re a webmaster, please don’t do this – take the time to put in some redirection, no matter how untidy it may feel to you). Some resources that still work are hanging on by a thread, e.g., three articles on our page are served up by FTP only. FTP!
BTW, people have worked on how to have their sites outlive them, but so far I don’t know of a convincing system, one where the service itself is likely to outlast its participants. Some blog and presentation content does outlive its creator, or at least its original URL, as much of the internet gets archived by The Wayback Machine. So, for the virus-ridden anderslanglands.com site, the article I wanted to link to is available on archive.org. Jendrik Illner does something for his (wonderful) summary posts that I hadn’t seen before: each link also has a “wayback-archive” link for convenience, in case the link no longer works. You can also easily try such links yourself on any dead site by using this Chrome extension. With this extension active, by default a dead page will cause the extension to offer you to look on archive.org. Links have an average life of 9.3 years before they rot, and that’s just the average. You’re likely to live longer, so do your future older self a favor by saving them some time and distress: make a nice home for your resources now so you don’t have to later.
If you’re too busy or poor to host your own content, at least paste your important URLs into archive.org’s site (you can also use the “Save Page Now” option in the Chrome extension, if you have a lot of pages) and your content will get archived (though if it’s a large PDF, maybe not). However, content on archive.org is not included in Google searches, so articles there effectively disappear unless the searcher happens to have the original URL and thinks to use the Wayback Machine. Also, people may stop looking when they try your original URL and find, for example, a porn site (e.g., this archive.org graphics site’s original URL goes to one now). This won’t happen if you have your own URL and maintain it.
For longer-term storage of your best ideas, don’t just blog about a topic, submit it to a journal (for example, JCGT takes practical articles) or article collection book (e.g., GPU Zen series, Ray Tracing Gems) and so have it become accessible for a good long while. It is possible and reasonable to take good blog content and rework it into an article. Going through peer review and copy editing will polish your idea all that much more.
These ramblings reflect my (limited) view of the world. If you know other approaches or resources to combat any aspect of link rot, please do let me know and I’ll fold them in here and credit you. Me, I hate seeing information get lost. Fight entropy now. Oh, and please put a date on any page you put up, so the rest of us can know if the page is recent or ancient history. Blog entries all have dates; everything else should, too.
Update: see my next post for some followups.
First two are the real reason for the post, the third is something I read today, the rest are bits from my twitter feed, in case you don’t hang on my every word there.
- Jendrik Illner summarizes graphics blog articles in his Graphics Programming weekly. Think of it as your one-stop blog for computer graphics. I wasn’t sure if he’d stick with it, seems like a lot of work to me, but he’s nearing a year’s worth of issues.
- The free, weekly Level Up Report by Mark DeLoura provides pointers to all sorts of developments and resources for learning through games, coding, and making. Subscribe!
- Predatory Open Access journals – recent summary from The Economist, with some sad tales. Wikipedia notes some other sting operations, and also gives some counter-criticism.
- Open source’s use in commercial products is on the rise, with a surprising average of 57% of the code in a proprietary application’s codebase being open.
- Jamie Wong created a pleasant, profusely illustrated introduction to color science for computer graphics display.
- I truly start with NVIDIA in August. With my time off, I’ve been occasionally finding time to have fun, with little projects in three.js such as this editable illusion and this local demoparty entry, and my chex_latex script now works on plain text files (yes, after too much time on The Book, I find copy editing fun, or at least a compulsion). Nothing astounding, keep your expectations low.
- I don’t understand why people keep saying there has never been a mainstream game using a ray tracer. Here’s one from 1997 by Taito on the PlayStation:
One more day for (optionally) submitting a proposal for Ray Tracing Gems for a shot at also winning a Titan V GPU. You can find the details and an update on what (the heck) a proposal is and what we’re looking for is on this page. A proposal is optional, the article is the main thing, but we hope this promotion gets you thinking about it. We’re happy to hear from you after tomorrow, of course, so please feel free to bounce ideas off of us.
Being the last one in the world to contribute to this meme, maybe our cat Ezra will inspire you:
The Ray Tracing Gems early proposals deadline is June 21, a week away (the final deadline is October 15th). Submit a one-page proposal by June 21 and there’s the extra incentive offered by NVIDIA, a Titan V graphics card to the top five proposals (which I finally looked up – if you don’t want it, trade it in for a nice used car). Anyway, call for proposals for the book is here.
While some initial impetus for making such a book is the new DXR/VKRT APIs, we want the book to be broader than just this area, e.g., ray tracing methods using various hardware platforms and software, summaries of the state of the art, best practices, etc. In the spirit of Graphics Gems, GPU Gems, and the Journal of Computer Graphics Techniques, I see our book as a way to inform readers about implementation details and other elements that normally don’t make it into papers. For example, if you have a technique that was not long enough, or too technically involved, to publish in a journal article, now is your chance. Mathematics journals publish short results all the time – computer graphics journals, not so much.
I would also like to see summaries for various facets of the field of ray tracing. For example, I think of Larry Gritz’s article “The Importance of Being Linear” from GPU Gems 3 as a great example of this type of article. It is about gamma correction – not a new topic by any stretch – but its wonderful and thoughtful exposition reached many readers and did a great service for our field. I still point it out to this day, especially since it is open access (a goal for Ray Tracing Gems, too).
You can submit more than one proposal – the more the better, and short proposals are fine (encouraged, in fact). That said, no “Efficient Radiosity for Daylight Simulation in Closed Environments” papers, please; that’s been done (if that paper doesn’t ring a bell, you owe it to yourself to read the classic WARNING: Beware of VIDEA! page). In return, we promise fair reviewing and not to roll the die.
Update: a proposal is just a one-page or less summary of some idea for a paper, and can be written in any format you like: Word, PDF, plain text, etc. Proposals are not required, either by June 21 or after. They’re useful to us, though, as a way to see what’s coming, let each prospective contributor know if it’s a good topic, and possibly connect like-minded writers together. Also, a proposal that “wins” on June 21 does not mean the paper itself will automatically be accepted – each article submitted will be judged on its merits. The main thing is the paper itself, due October 15th. Send proposals to [email protected] – we look forward to what you all contribute!
I’m passing on this tweet from Tomas:
#NVIDIA Titan V competition w/ Ray Tracing Gems.
I also wanted to note that the Ray Tracing Gems CFP has been updated with some significant new bits of information:
The book will be published by Apress, which is a subsidiary of Springer Nature and the e-book will be available in PDF, EPUB, and Mobi (Kindle). We are working on getting open access for the e-book, which means that it will be free for all, and that authors may post a draft version to other sites; however, we ask that they include a link to the final version once published. The printed book will cost approximately $60.